He's on his back. This is our own inquiry into the nature of what makes a fiasco. Somehow that's how this entire play ended. And now the lights come up. Well, of course, the kite is attached to the flying apparatus line. Right. If the premise of your character is that you have a hook, your name is Captain Hook, literally all that's going to happen for the rest of the show is people are going to refer to you by that hook. He's on his back. This guy is bleeding all over the place, on his carpets. And she claimed to have acted. This American Life is a weekly public radio show, heard by 2.2 million people on more than 500 stations. When it comes right down to it, it's not even a story about a play. Super cold. The actors actually-- you could sense their lack of confidence, shall we say, in the people running the machines in the back. And I remember we beat the local paper. HAMMONDS: Race is a human invention. And I'll be honest, Ira, I might have been one of those first people to laugh. And the squirrel had come into the living room, where they had been having their romantic evening. Skip to main content Hello, Sign in. We feel for them. And we're pounding, smearing it all over the place. All I'll say now is watch your step as you come and go. They call for a squirrel. Blood just started pouring out between his hands. Now the reason they're there is to chronicle these embarrassments. Why don't we move the furniture away from one of the corners? The walls are covered with soot. You could see her just clicking things off on her fingers-- OK, the dead squirrel, ruined pillows, need a new couch. They're just about to start the raffle. It's a mess. This American Life Blackjack Transcript is the sole body able to issue licenses to real money online gambling websites. [LAUGHS] It was hard to watch because, as you can tell, it's an incredibly funny moment. It was hard to watch, because, as you can tell, it's an incredibly funny moment, but like I say, the audience was still in this very forgiving mode. Even speaking about it here today, I can feel the excitement stirring in my heart. This is the homeowner. I'd never been sent out under these kind of circumstances before. TED Talk Subtitles and Transcript: As America becomes more and more multicultural, Rich Benjamin noticed a phenomenon: Some communities were actually getting less diverse. [music] Roger: I'm Roger Bennett. If you think this is disappointing for you, you can't imagine how I feel. John Mulaney, Maria Bamford, Roy Wood Jr., and many other very funny people do these with him. For example, Tinker Bell appears for the first time around this moment. They're flying. But all great ideas seem strange at first. And I don't think it broke it, but it did some damage. The problems of the day were not attributable to inappropriate deportment. And she goes, I'm going to throw a pot of coffee on. It was so interesting. We just grab the couch, heave it upside down. Well, he has the least mass to resist, whatever the machinery is doing to him. This was cutting edge theater, as far as she was concerned. Well, see, I have to disagree with you there. And we're pounding, smearing it all over the place. And I realized recently that I'm not a good adult yet. What have you done to my house? It happened after squirting the coffee through your nose. It was sort of like we'd all been in an earthquake together. The second we pulled down the trapdoor, all noise upstairs just ceased. This next fiasco falls into that second category. And we put it out, but it's smoking terribly. He's now up there with the lights. And it ran into the fire--. Emily Condon is our production manager. Right. And she spots a kite that's flying by, and she's supposed to grab it and attach it to her back and fly off. This American Life (TAL) is an American weekly hour-long radio program produced in collaboration with Chicago Public Media and hosted by Ira Glass. And then I just stop in mid-sentence. The player is responsible for how much the person is willing and able to play for. So instead of the kids sort of sailing gracefully to and fro, they sort of hang in the air like puppets, just sort of dangling there and sort of getting jerked up an inch or two or back and forth. And she began chasing me. ... Peter Pan Fiasco! I'm Ira Glass. We have this story from a police officer in a suburban community on the East Coast. Put your arms up. So she has to step out into the waters that she's just told us is filled with crocodiles to grab it. Another 2.5 million people download the weekly podcast. I admit it. This American Life Blackjack Transcript This American Life Blackjack Transcript 88probet is a leading Live Casino Online and betting agent in Southeast Asia, with a variety of slot games, trustworthy live casinos, and daily updated sportsbook in a smooth platform and fair play environment that maximize your efficiency and results. The smoke alarms are firing away. But it's really not our thing. Thanks, as always, to our program's co-founder, Mr. Torey Malatia. And yes, some of it seems to be permanent. Act One. Totally. ", "And because everybody left, my odds are amazing.". And I was like, well, I look like an idiot just crouched up here on the top of the ladder. 15: Dawn. We're here to enumerate the qualities of a fiasco. So I'm onstage at the charity golf tournament, and I'm just Kenny G'ing it up, for 10 minutes, just-- [SINGING OFF KEY]. I'm sure. TED Talk Subtitles and Transcript: Our lives, our cultures, are composed of many overlapping stories. Then another thing that happened was, later on in this scene, if you remember, Wendy gets trapped on an island. That was actually the ad lib. Daily. Now there's just this kind of frightening roar that comes from the audience every time there's a mistake. So myself and another car were assigned the call. And we'll be out of here. So we're seated in the den. She was beautiful. Each week on our program, of course, we choose a theme, bring you different kinds of stories on that theme. When you have left the world of mishaps, stumble human error, and you enter into the much more rarefied realm of fiasco, we have arrived at Act Three of our program-- Act Three, "Tragedy Minus Comedy Equals Time," specifically a long, long time between laughs. The squirrel, when it went under the couch, in its death throes, just latched onto the bottom of the couch. Today's show, fiasco. I mean, it wasn't flaming or anything, but it was smoking, and there was a little bit of fire coming off the tail. I can't point to any one thing that you did that I have a reason to get angry about. In fact, you have five fingers on a hand. But there was one moment in this first opening scene that put the audience on notice. Well, human error is often at the heart of a fiasco. I didn't want anyone to know what a bonehead I was when I first came onto the job. Now there's just this kind of frightening roar that comes from the audience every time there's a mistake. Something has been lost, some sense of decorum, that little bit of forgiveness that the audience has for the actors. We just all sat there sort of holding our breath. And I swear, from where I was standing, it looked Godzilla. Well, see, I would disagree with you. And the hook goes zinging up into the lights and catches. I'm Ira Glass. He's wearing these, like, silk pajamas with a monogram, got my attention. She goes, what have you done? It's not so much a police function. And the couch catches on fire in seconds-- I mean, in seconds. So the idea being that you would get more in touch with the dramatic sense and the reality of what was happening. Why, with just a little magic dust, one can fly. Contributing editors for today's program-- Jack Hitt, Margy Rochlin, and Consigliere Sarah Vowell. All they know is that they've been sent out on a call. And we knew we would all soon be safe. And he landed on both of his feet and sprained both of his ankles, and, of course, curled into a fetal position and began to cry. I start going, oh, it was an accident. It's now the sports center. As I felt the wind in my hair and watched the sporadic procession of home furnishings being carried out of our violated gates, I knew we were perched on the edge of a new epoch. Going way back into This American Life’s second year will allow you to find one of David Sedaris’ first radio pieces, a gonzo-style look into the life of an elf at Macy’s Santaland in New York City.Sedaris’ self-deprecating and witty humor is on full display in this 30-minute segment where he shares with full vulnerability what it was like to be a elf for a the holiday season. So we're wondering, gee, where is the squirrel? NPR’s This American Life. And this is all within about five minutes. There's something up there, and it's just running around, knocking a few small things over. When a fiasco destroys social boundaries, it can bring people together. I can be cursed out by the subject, but I can leave and get in the car, and I can drive home and think, I didn't blow coffee out my nose. So we walk up to the door with all our stuff on-- the nylon coat, the vest, the belt, the whole nine yards. Somehow, that's how this entire play ended. Transcript; Chris Ware. I asked her for a box, and she says, sure, we've got boxes. Oh, this is not good. I was asked to perform at a charity golf tournament in New Jersey. And I felt like it was pretty important that at some point I better drain that coffee cup. It bolted out from underneath the couch and ran directly into the fireplace, which is about three feet away. We all want an experience that will take us out of ourselves and into another place and another reality. She's standing on this little papier-mache hill. When you leave the normal realm of human error, fumble, mishap, and mistake and enter the territory of really huge breakdowns. And they had champagne flutes out-- nice house, really nice. Well, our program was produced today by Nancy Updike and myself, with Paul Tough, Alix Siegel, and Julie Snyder. I'm Ira Glass. And there's that weird tension of being in the audience, thinking, oh, oh my goodness. I'm on his stomach on my back, scuttling around like a beetle trying to get up in this really narrow hallway. And the squirrel had come into the living room where they had been having their romantic evening. The fire alarms are going off. It's going to hiding somewhere. That's right. 635: Chip in My Brain. He normally writes for The New York Times Magazine and The New Yorker. In episode 206, the second season finale, stories of several people named "John Smith" are featured. This American Life. And he's going, listen, really sorry to bother you. Tinker Bell was just going to be this literal light bulb dangling from an extension cord. He's very bad. Prior to placing an order, you should confirm that you have the correct recipient / administrator and school address if you are sending the transcript directly to a school. And yes, as everyone is aware, we had to spend more time than we really wanted containing the blaze, fueled as it was by the fresh high winds and the tower's wooden shingles. And then that pinprick of light is supposed to be Tinker Bell. This guy, he's got a bad mustache, and he is certainly evil. And on the postcard somewhere would be a picture of a nose, and there would be liquid coming out of it, sort of like my logo. So I reached up and I took the trapdoor down. And the door opens. And there's definitely something up there. I was 23 at the time. And people just address the invisible sprite. And I don't know if you remember the opening moment of Peter Pan, but it's the three little kids sleeping in their bed. This is just-- it's not going well. Yeah. No matter what. And it was never really quite clear just what her credentials were. I crunched my body up underneath 'cause I'm realizing, gee, I don't know where this thing is. I always have another idea. Like, where are you going to get the squirrel? And if you're sitting in the audience, there was clearly a sense of fear on the faces of these people. And I have to say that it was a very embarrassing experience, and it completely made me feel close to them. This American Life 81,701 views And we finally get the fire out. And the coffee came shooting out my nose. I mean, it wasn't, like, flaming or anything. And it turns out it's coming from the attic. So we had the first story, and it was sort of considered the definitive one because we had this glossary of terms that I had made her put together. I was in the 10th grade. Serial unfolds one story - a true story - over the course of a whole season. I will never forget it. But like I say, the audience was still in this very forgiving mode. What's the point? I'm like, I'm really sorry I'm your celebrity. And then it was syndicated. That alarm is located right over this theater. Of valley speak terms. I had that thought on stage for about one second and then batter up. And this woman who lived in the building opened the front door for me with her key. And those are these really nice silk pillows. See, but I wonder, when you think about what people go to theater for, like what kind of release people want, I mean, people want an experience that will take them out of themselves. We follow the man of the house upstairs. The wife just looks around and just starts to cry. And maybe greatness could have occurred. And I said, Mark, we can handle this. It's a technique I don't suggest anyone trying. - Amazon.com Music. We soaked them. I realize what's going on here. Yeah. The cute blue-eyed "cat" in the bottom right corner was actually county attorney Rod Ponton, covered by a filter. And then, of course, three minutes later, busting through the door of the theater, are these 15 firemen, who are in boots, hats. Exactly. People are standing up in their seats and shouting for more. We just all sat there, holding our breath. So to get them was a major coup. It was on fire. Several times, this show has covered true stories of those affected by Huntington’s disease. And so what happened was Moon told me a joke. It was my decision and my decision alone to do what we did, and that was to pour the warm oil on our enemies as they milled about the front gates, hammering at it with their truncheons. Another 2.5 million people download the weekly podcast. I'm trying to stay optimistic. That was actually the ad lib. American Dad! We were committed. I'm Ira Glass. It can be heard for five miles. The rumors of all this crew and the painting and everything that was going on and all this construction all worked towards this one moment, because when the lights came up, here was Never Never Land, this sort of psychedelic set. It is hosted by Ira Glass, produced in collaboration with Chicago Public Media, delivered to stations by PRX The Public Radio Exchange, and has won all of the major broadcasting awards. It'll be OK. And she was just, you know, thank you so much. Yeah, it's clear now that the audience is giving way. This is a story about a fiasco and about what makes a fiasco. We have heard it said that the warm oil served as a stimulant to the attack that followed, the attack I alluded to earlier, in which the criminal activity seemed even more animated than usual in the minds of some of our townspeople. He had the worst ad lib I've ever heard. I really don't know. And so he's flying around in a circle. Dead squirrel, ruined pillows, need a new couch. And I didn't see the joke coming. The orange flames licked the sides of the brass container hungrily, as if in concert with our own desperate desire for security and revenge. So I was going to be, like, Galahad. And it sounds like this production, even though it was a fiasco, in fact, because it was a fiasco, was more successful at that than any conventional play could be. I'm going to go speak to her in the valley language. It's interesting, because one of our criteria for a fiasco is that all social order, the normal social structure, breaks down. Could that have happened to you now, 13 years later? Oh, I'm trying-- at this point, I'm sort of at that rock bottom level that everyone can get at in an interview, where you're just saying, what's your favorite color? And I was like, well, I look like an idiot just crouched up here on the top of the ladder. But I sort of kept staring at it. And I have to say that it was a very embarrassing experience, and it completely made me feel close to them. And she began sort of chasing me. Towards Act Three, Ira, the director had decided that she wanted to break down the fourth wall. No. I asked her for a box. He only covered the opening night. The bottom of it is burnt. And now there's plenty of oxygen for the fire to really get going. And one ingredient of many fiascos is that great, massive, heart-wrenching chaos and failure are more likely to occur when great ambition has come into play, when plans are big, expectations great, hopes at their highest. Transcript. The house is full of smoke. And we're both completely red, sweating because we're dressed for like zero-degree weather, and it's hot there by the fire. We're right under it. So we run downstairs. So we grab the only thing that's really available, and those are these really nice silk pillows. No matter. This week on this American life, the production of the play, Peter Pan was not going well. A beam of focused light. This collection of life histories consists of approximately 2,900 documents, compiled and transcribed by more than 300 writers from 24 states, working on the Folklore Project of the Federal Writers’ Project, a New Deal jobs program that was part of the U.S. Works Progress (later Work Projects) Administration (WPA) from 1936 to 1940. That's a great question. We began at once. He says, well, we were having kind of a romantic evening down in the living room, and we heard a scratching upstairs. They seemed the very incarnation of mistake, their dreams of a day abusing our friends and families and of petty arson and lewd public behavior about to be extinguished in one gorgeous wash of searing oil. They're covered with blood, the front of them. This American Life. And now the old people have given it up. Musical help today from John Connors and Damien Graef. It may have seemed more odd or extreme, since the perpetrators were greasy and thereby more offensive. If she had said, eat this broken glass, I just would have said, OK, broken glass it is. And yeah, it's a pretty good plan. So he got out a map, found the whitest towns in the USA -- and moved in. It could be a squirrel, a raccoon. That's just part of that job. And with police work, they afford you plenty of space to make mistakes. And I jumped up, and I sort of started running around the room, knocking things over. And Peter Pan comes in and has a little speech where he says, anybody can fly. And then, of course, he's jerked up in the air a little bit and often a little too high so that he's suddenly sort of in the workings. And with that, she walked off the stage, motioning her arms like you would do the swim, the dance, in 1965. So we walk inside. We've only been there about two minutes. It was lined with tassels. And we wanted to be ready. We begin our show with this true fable of Peter Pan in Act One, "Opening Night.". 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