A victim of regular childhood abuse, it was scant surprise when she turned to the profession that so many other young Viennese boys and girls were reduced to, as she began selling her body on the streets at age twelve. (They would later divorce and remarry.) That voice, however, had but scant opportunity for expression in Zurich. Review: RIFF-it. Women You Should Know © All rights reserved. In 1956, Louis Armstrong recorded the song "Mack the Knife", both as a solo number and as a duet with Lenya. Lotte Lenya (for so she had taken to calling herself shortly before arriving in Berlin) had to wait three years in that city until she could add her own art to Weimar’s swirling creative maelstrom. (For a recording that uses a translation that reflects the original lyrics, check out the Ute Lemper version on the album Punishing Kiss). Lyrics. Lenya of "Cabaret" 5: lotte: Likely related crossword puzzle clues. In 1944, she recorded two of Weill's songs for the U.S. Office of War Information for use in radio broadcasts to Germany: ", Biography of Kurt Weill, Pickford Prod., Inc (unpublished biography 20 April 1945) Yale Music Library, Images of America, Trumbull Historical Society, 1997, p. 123, Speak Low (when you speak of love): The Letters of Kurt Weill and Lotte Lenya, List of German-speaking Academy Award winners and nominees, "Lotte Lenya: A Detailed Chronology 1950–1959", "Pinewood Lake website retrieved 10 September 2010", "Lotte Lenya: A Detailed Chronology 1960–1969", "Lotte Lenya: A Detailed Chronology 1970–1981", "Theater Hall of Fame Enshrines 51 Artists", "The Kurt Weil Foundation For Music Announces 2020 Lotte Lenya Competition Semi-Finalists", Register of papers of Kurt Weill and Lotte Lenya at Yale University Music Library, Tony Award for Best Performance by a Featured Actress in a Musical, https://en.wikipedia.org/w/index.php?title=Lotte_Lenya&oldid=1013882334, People with acquired American citizenship, Internet Broadway Database person ID same as Wikidata, Articles with unsourced statements from June 2014, Internet Off-Broadway Database person ID same as Wikidata, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 23 March 2021, at 23:51. Brecht, depending on to whom you talk, was either the century’s most visionary and politically committed theorist of a new approach to drama, or a self-serving and egomaniacal hack who regularly claimed credit for the work of others. [3] [Note 1], With the rise of Nazism in Germany, many artists were not appreciated, and although not Jewish, she left the country, having become estranged from Weill. She moved to Berlin to seek work in 1921. [20], The Lotte Lenya Competition recognizes young singers and actors who are dramatically and musically convincing in repertoire ranging from opera and operetta to contemporary Broadway scores, with a focus on the works of Kurt Weill. Albums include Lotte Lenya singt Kurt Weill, Die Dreigroschenoper, and September Songs: The Music of Kurt Weill. Lenya went on to record a number of songs from her time in Berlin, as well as songs from the American stage. Lenya’s career only slowed when severe abdominal pain in November of 1977 betokened the arrival of a pervasive cancer that wore away at her by degrees until her death in 1981. The culminating moment, when Jenny orders the death of everybody in her town, is chilling in its fantastic stillness: The Tango Ballad from Threepenny is a wonderful evil little song, which is usually ruined by the white-bread English translations produced in the 50s and 60s, and this recording from 1954 is no exception, but in spite of Scott Merrill being a far too bland and smooth counterpoint, you can hear Lenya’s explosive presence radiating from this performance. Her third husband drank to insensibility as a matter of course, and disappeared for days at a time to seek rough sailors in New York to indulge his more violent fantasies (she on several occasions had to pick him up from the hospital after his would be lovers savagely thrashed him and left him for dead). Lead image: Portrait of Lotte Lenya, 1962 By Carl Van Vechten – Library of Congress, Prints & Photographs Division, Carl Van Vechten Collection. [10][11][12], She founded the Kurt Weill Foundation for Music,[13] to administer incomes and issues regarding rights, and to spread knowledge about Weill's work. At this time, most of his work for the theater was enjoying success and runs numbering in the hundreds, but Firebrand bowed out to bad reviews after only forty-three shows, and Lenya in particular was singled out as having been badly miscast for her assigned role. The name conjures up visions of the Berlin Theatre Ensemble, of the plays of Bertolt Brecht and the music of Kurt Weill. [10], Sprechstimme was used in some famous songs in the Brecht-Weill plays, but now Lenya used it even more to compensate for the shortcomings of her voice. With her role augmented by the addition of the iconic “Pirate Jenny” song (which had originally been written for the character of Polly), Lenya injected a savage line of deliciously arch cynicism into the comfortable affluence of 1950s America, and the production went on to hundreds of performances, while Lenya won a Tony in 1956 for her portrayal. [10], In 1956, she won a Tony Award for her role as Jenny in Marc Blitzstein's English version of The Threepenny Opera, the only time an off-Broadway performance has been so honored. Lotte Lenya. After Davis' death in 1957, she married artist Russell Detwiler in 1962. He encouraged and supported her in her return to the stage, and she flourished at an age when most female performers of the era had little to look forward to but a steadily diminishing presence as younger actresses assumed the roles that were once theirs. When she was to sing the soprano part in Rise and Fall of the City of Mahagonny and The Seven Deadly Sins, the part needed transposition to substantially lower keys. Deeply disappointed in herself, Lenya all but disappeared from the stage for the next five years, until Weill’s death from heart disease in 1950 compelled her to take up the mantle of his music and re-emerge to her greatest acclaim yet. She is best known for her performance as Jenny in Kurt Weill's and Bertolt Brecht's The Threepenny Opera, and some other Brecht-Weill plays. The musical was based on John Van Druten 's 1951 play I Am a Camera which was adapted from the semi-autobiographical novel Goodbye to Berlin (1939) by Anglo-American writer Christopher Isherwood. Lenya of "Cabaret" Tony winner ..... Lenya. was a grand Americanized encapsulation of the spirit of Weimar. Actress-singer Lenya. For the upper crust of Vienna society, life could be an elegant and glorious thing, but for those, like the Blamauer family, living on the outskirts of the city, it was something else entirely. In 1956, she won a Tony Award for her role as Jenny in Marc Blitzstein's English version of The Threepenny Opera, the only time an off-Broadway performance has been so honored. She was cast, but owing to her loyalty to her voice coach, she declined the role. In March 1933, she moved to Paris, where she sang the leading part in Brecht-Weill's "sung ballet", The Seven Deadly Sins. No translations available + Add Translation. Lotte Lenya was a Tony Award-winning and Academy award-nominated actress and singer who is best remembered for her supporting role as Rosa Klebb in the classic Bond film From Russia with Love (1963). An offer comes, you take! [citation needed], Her role as Vivien Leigh's earthy friend Contessa Magda Terribili-Gonzales in the screen version of Tennessee Williams' The Roman Spring of Mrs. Stone (1961) brought Lenya Academy Award and Golden Globe nominations as Best Supporting Actress. Lotte Lenya (born Karoline Wilhelmine Charlotte Blamauer; 18 October 1898 – 27 November 1981) was an Austrian-American singer, diseuse,[1] and actress, long based in the United States. Actress Lenya. from Cabaret Lotte Lenya. Surabaya Johnny (solo) 2. Stream songs including "Act I. Willkommen", "So What?" Lotte Lenya - Moon of Alabama (Good Quality Audio) - YouTube They married in 1926, and later divorced in 1933, only to reconcile in September 1935 after emigrating to the United States. lenya of "from russia with love" SMERSH Colonel in 1957 Ian Fleming novel From Russia with Love portrayed on screen by Lotte Lenya in 1963. Here she is singing her signature piece, the Pirate Jenny song, from the 1931 film version of Threepenny. 20 November 1966 Cabaret opens at the Broadhurst Theatre in New York, directed by Hal Prince. Read honest and unbiased product reviews from our users. That combination of sentiments, of unvarnished reality, didn’t have a voice until Lotte Lenya stepped upon the stage, and since then all artists striving to express them since have, in one way or another, channeled her unique voice. [11], Lenya died in Manhattan of cancer in 1981, aged 83. They remarried in 1937. [18], The Michael Kunze play, Lenya, is about Brecht's favorite singer, Lotte Lenya. Lotte Lenya: American Theater: Lenya, Lotte: Amazon.ca: Music. [14], In 1966, Lenya originated the role of Fräulein Schneider in the original Broadway cast of the musical Cabaret. It was at this time that she met Kaiser’s young and promising musical collaborator, Kurt Weill. Their second marriage lasted until Weill's death in 1950. Skip to main content. A legend of the musical stage, she was the living embodiment of the heady and fast-passing world of Weimar Germany, where life flourished amongst misery and all things were permitted, lionized in the papers but her head full of ghosts and the slow burn tragedies that awaited her at home. Lover Man (solo) 8. Bilbao Song (solo) 3. Account & Lists Account Returns & Orders. When Lotte Lenya stepped on stage for the opening night of Cabaret on November 20, 1966 for the first of what would be over one thousand performances as Fraulein Schneider, she was sixty-eight years old and had lived enough sorrow for twice that many years. In Weill, Lenya found someone understanding of her nature, a safe haven to return to when her adventuring spirit lead her astray, as it often did. Abused by her family at home and by strangers for scant coin, young Karoline was in danger of becoming yet another of the faded and wasted Viennese street youth, seen every day on the corners of twisted avenues until the fateful day when they weren’t. Here she is performing it with Maurice Levine conducting. Lenya, Brecht, and Weill were on a role that extended into The Rise and Fall of the City of Mahagonny (1930) and The Seven Deadly Sins (1933). The dichotomy between public success and private tragedy is an old song… but few can claim to have come from such abject beginnings as Lotte Lenya, born Karoline Blamauer. Lost in the Stars (solo) 7. In English-language cinema, she was nominated for an Academy Award for her role as a jaded aristocrat in The Roman Spring of Mrs. Stone (1961). In 1922, Lenya was seen by her future husband, German-Jewish composer Kurt Weill, during an audition for his first stage score Zaubernacht, but because of his position behind the piano, she did not see him. Audiences loved her for being, simply, Lotte Lenya. [12] She was present in the studio when Louis Armstrong recorded Brecht-Weill's "Mack the Knife". Lyrics for So What? She came into the world in 1898 in a Vienna that was tearing itself apart from its internal contradictions while doing its Austrian damndest to pretend that all was in Ordnung. A difference of fifty Marks Why should that stand in our way? Skip to main content.ca. Oct 8, 2015 - Explore Poetryman 777's board "LOTTE LENYA", followed by 124 people on Pinterest. Hello Select your address Music Hello, Sign in. Catalog, Image download, Original url, Public Domain, Fair Use. That was when playwright Georg Kaiser and his family adopted the struggling performer and invited her to stay with them as an au pair until she got her financial feet under her again. She is buried next to Weill at Mount Repose Cemetery in Haverstraw, New York.[12]. Lotte Lenya discography and songs: Music profile for Lotte Lenya, born 18 October 1898. What difference does it make? At her aunt’s Karoline experienced some first glimmerings of normalcy, and when she began taking classes in dance and theater, she found that she had something bright in herself, something engaging and irresistible that surmounted the fact that she didn’t dance as well as the other girls, didn’t sing with anything like professional polish, and was not a beauty of the classic school. She appeared on Broadway in Barefoot in Athens and married editor George Davis. from Lotte Lenya's The Very Best Of for free, and see the artwork, lyrics and similar artists. LyricsSo What? [21][22], Recorded "Six Songs by Kurt Weill" (1943) for Bost Records (BA 8) in New York. Lenya as Jenny, a world-wise prostitute, was the stand-out star of the production, and the angularity of her phrasing, the refusal to sacrifice the particular color of her voice in the pursuit of Standard Tone and Elocution, have defined not only the role of Jenny ever since, but the entire sub-genre of cabaret performance. From Jenny, I don’t believe it is too great an exaggeration to say, come Edith Piaf, Liane, Ute Lemper, and a whole string of female vocal performers who found their triumph in highlighting the individual character of their voice instead of training it to an acceptably palatable standard form. Cart All. Singer Lenya. 1. When Threepenny was revived off-Broadway in 1954, it featured Lotte Lenya reprising her role as Jenny for an entirely new generation of theater-goers. Written by:John Kander; Fred Ebb; Last update on: July 22, 2017. SONGLYRICS just got interactive. Jill Haworth, Jack Gilford, Bert Convy And Lotte Lenya With Joel Grey, Peg Murray, Edward Winter: Jill Haworth, Jack Gilford, Bert Convy And Lotte Lenya With Joel Grey, Peg Murray, Edward Winter - Cabaret (Original Broadway Cast Recording) (LP, Mono) Columbia Masterworks: KOL … by Lotte Lenya. After a badly received part in her husband's musical The Firebrand of Florence in 1945 in New York, she withdrew from the stage. Lenya: Lotte Lenya, Kurt Weill, Theo Mackeben: Amazon.ca: Music. Lotte Lenya, Jack Gilford, Jill Haworth, Joel Grey, Kander & Ebb, Bert Convy, Peg Murray - Cabaret: Original Broadway Cast - Amazon.com Music Lotte Lenya, Actress: From Russia with Love. Though Zurich was the center of the avant-garde Dadaist movement at the time, with its core devotion to art through randomness, the dynamic Lenya could find little more than bit roles in the local theater scene. In the years after 1950, Lenya was not only the tough-as-nails executor of Weill’s musical properties, but the most effective promoter of his catalogue. A reserved musical workaholic, he was captivated by Lenya’s devil-may-care free spirit and the two soon formed a relationship wherein Weill took it as given that Lenya’s carrying on affairs with other men was simply the price of being close to her. These lyrics are waiting for review. Artist: Lotte Lenya. [11][15] Kander and Ebb's score was considered by some to be inspired by Weill's music. Lenya was aware of this as a problem; in other contexts, she was very careful about fully respecting her late husband's score. In a world where money vaporized under the glare of hyperinflation, work was far from a guarantee, and politics often devolved into street brawls, all that one could be sure of was hunger and desire, and Weimar era Berlin made art from them both. Lenya’s father was an abusive alcoholic who regularly pulled her from her bed at night to sing him songs, and just as regularly beat her for failing to sing as well as her deceased older sister used to. Cabaret is a 1966 musical with music by John Kander, lyrics by Fred Ebb, and book by Joe Masteroff. Threepenny went on to four hundred performances in that initial run, and spread to other countries, while Brecht managed to still his Communist conscience long enough to profit from the Threepenny merchandise that was taking Berlin by storm. Professionally ascendant, and her thirst for adventure slaked by a series of lovers, Lenya nonetheless felt hampered by her thinly married state, and asked Weill for a divorce in 1933, which he granted, only for her to ask within a couple years for their mutual friends to intercede on her behalf for a reconciliation. New Releases. from Cabaret by Lotte Lenya. Armstrong added Lenya's name into the lyrics, in place of one of the characters in the play. Listen to Cabaret: So What? During this period, Lenya had a love affair with playwright Paul Green. To a younger audience, she is known for her part as the villain Rosa Klebb in the James Bond movie From Russia with Love. It was not long before recording companies scented profit in the water, and arranged for Lenya to set down her now-iconic Weill recordings of the mid-1950s. Later, The Doors and David Bowie both covered it, but here is Lenya herself from 1958 at the age of 60 performing its fiendish lyrics as if they’re the most natural thing in the world: In her late sixties Lenya conquered Broadway once again with her performance in Cabaret, and So What? Lenya was portrayed by Donna Murphy. [2] In the German-speaking and classical music world, she is best remembered for her performances of the songs of her first husband, Kurt Weill. Suraba… She was aided in her re-emergence by her second husband, George Davis, whose devotion to the music of Kurt Weill was matched only by her own. Edit lyrics. [8][9], During World War II, Lenya did a number of stage performances, recordings, and radio performances, including for the Voice of America. Lotte Lenya was a Tony Award-winning and Academy award-nominated actress and singer who is best remembered for her supporting role as Rosa Klebb in the classic Bond film From Russia with Love (1963). As long as the room's to let The fifty that I will get Is fifty more than I had yesterday, aha! Dale DeBakcsy is the writer and artist of the Women In Science and Cartoon History of Humanism columns, and has, since 2007, co-written the webcomic Frederick the Great: A Most Lamentable Comedy with Geoffrey Schaeffer. In 1979, two years before her death, Lotte Lenya was inducted into the American Theater Hall of Fame. Lyrics for Cabaret - So What? In Lenya, Weill found the artist who would become the interpreter of his music, and its fierce protector and promoter in the decades following his early death. As long as the room's to let The fifty that I will get Is fifty more than I had yesterday, aha! [15], She is mentioned in the Fascinating Aïda song "Lieder", which originally described her as German, but was corrected for later performances. During the last years of the Weimar Republic, she was busy in film and theatre, and especially in Brecht-Weill plays. In 1941, the couple moved to a house of their own in New City, New York, roughly 50 km north of New York City. He is also a regular contributor to The Freethinker, Philosophy Now, Free Inquiry, and Skeptical Inquirer. In 1913, however, her childless aunt visited from Zurich and, taking in the situation at the Blamauer house, declared that she wanted Karoline to come back to Switzerland with her. She would later earn a role in the 1966 Kander and Ebb musical "Cabaret" as the composers insisted they were greatly inspired by her late husband. Until 1924, she sampled the rich theatric scene, and took lovers and roles when she could, but had yet to experience the breakaway moment that would ensure her steady work of the first order and the steady paycheck that might follow in its wake. 10 October 1966 Opens as Fräulein Schneider in the Boston tryout of Cabaret. Singer/actress Lenya. Beginning with the success of the Mahagonny Songspiel at Baden-Baden’s 1927 musical festival, with Lenya in the role of Jessie, the trio moved on to a reworking of John Gay’s 1728 The Beggar’s Opera in celebration of its 200th anniversary which they titled The Threepenny Opera. [citation needed], Lenya and Weill settled in New York City on 10 September 1935. Your email address will not be published. On the death of her second husband, Lenya married Russell Detwiler in 1962. Lenya went on to record a number of songs from her time in Berlin, as well as songs from the American stage. You say fifty marks, I say one hundred marks. [6][7] Here, Green and Weill wrote the screenplay and music for the controversial Broadway play Johnny Johnson, which was titled after the most frequently occurring name on the American casualty list of World War I. Though she performed in non-Weill productions, they were overwhelmingly the primary source of her income, and with Weill preparing to emigrate to America to escape Nazi persecution in 1935 (he was of Jewish ancestry), she made the decision to accompany him to the New World. from Lotte Lenya's Cabaret (Original Broadway Cast Recording) for free, and see the artwork, lyrics and similar artists. [5] During the summer of 1936, Weill, Lenya, Paul Green, and Cheryl Crawford rented a house at 277 Trumbull Avenue in Nichols, Connecticut, about 2 miles from Pine Brook Country Club, the summer rehearsal headquarters of the Group Theatre. [citation needed], Lenya and Weill did not meet properly until 1924 through a mutual acquaintance, the writer Georg Kaiser. When she was to sing the soprano part in Rise and Fall of the City of Mahagonny and The Seven Deadly Sins, the part needed transposition to substantially lower keys. Lehmann or Lenya . Alabama Song (contains solo lines) 4. Listen to Cabaret (Original Broadway Cast Recording) by Lotte Lenya & Pierre Fournier on Apple Music. [14] In 1963, she was cast as the SPECTRE agent Rosa Klebb in the James Bond movie From Russia with Love starring Sean Connery and Robert Shaw. Denn wie man sich bettet (solo) 5. and more. Donovan's 1968 song "Laléna" was inspired by Lenya. The dichotomy between public success and private tragedy is an old song, repeated across so many Hollywood biographies that we have largely come to expect it, but few can claim to have come from such abject beginnings as Lotte Lenya, born Karoline Blamauer. and added her name to the list of Mack's female conquests in the song. FURTHER LISTENING: We are lucky enough to have recordings of Lenya from throughout her career. J'attends un navire (solo) 9. Listen to Cabaret - So What? [19], In 2007, the musical LoveMusik, based on Lenya's relationship with Weill, opened on Broadway. That husband died in 1969 from a fall while in a drunken stupor, and the fourth husband, who split his time between Lenya’s house and that of his lover, so exasperated her with his complete indifference that she sued him for divorce and resolved to live her final years at last alone. George Davis, unfortunately, died in 1957, like Weill of heart disease, and in Lenya’s next two selections of husband she was not so fortunate as in her first two, picking both times young alcoholic gay men who abused her mothering instincts and brought a steady stream of misery to her home life even as her stage career continued flourishing in its fifth decade. Two years younger than Lenya, he was her polar opposite in virtually every detail. Lenya of song. What matter that she didn’t always sing on key, what matter that her voice was all angles and smoke in her later years, when she could reach back across the decades and bring to life an era long-since-perished, one that didn’t aim for perfection because it knew perfection cannot be trusted, and settled instead for the songs of the street, offered by whatever lips chose to sing them, in that thin gap between the end of the day’s labors and the small ritualized self-obliteration of sleep. When Lotte Lenya stepped on stage for the opening night of Cabaret on November 20, 1966 for the first of what would be over one thousand performances as Fraulein Schneider, she was sixty-eight years old and had lived enough sorrow for twice that many years. Album: Lotte Lenya: American Theater Songs. She also played the murderous and sadistic Rosa Klebb in the James Bond movie From Russia with Love (1963). When you're as old as I- Is anyone old as I? One of the first products of the Brecht-Weill collaboration was the Alabama Song from the Mahagonny Songspiel. You say fifty marks, I say one hundred marks. If you found mistakes, please help us by correcting them. Highlight. [16], Lenya was born to Catholic working-class parents in Vienna. She made several recordings of Weill's songs. [11], Lenya's second husband (1951–57) was American editor George Davis. Professionally, as well, Lenya’s future was tied to Weill’s. In 1945, Weill wrote a part particularly for her in his upcoming musical, The Firebrand of Florence. She was born Karoline Wilhelmine Charlotte Blaumauer on October 18, 1898, in Vienna, Austria (at that time Austro-Hungarian Empire), into a … Find helpful customer reviews and review ratings for Lotte Lenya: American Theater at Amazon.com. Find Lotte Lenya discography, albums and singles on AllMusic AllMusic. Genres: Cabaret, Operetta, Show Tunes. [citation needed] She is referenced in the Gavin Friday song "Dolls" from his 1995 album Shag Tobacco. Though he could be too wrapped up in his music to give her the full degree of attention that she wanted, she found that she missed the option of returning to the security of their home, and the matter of fact forbearance Weill could be counted on to exhibit in the face of her changing needs. Her voice had deepened with age. The unlikely pair married in 1926, just as the third component of what would be Weimar Germany’s most famous artistic trio drifted into their orbit, the poet and dramatist Bertolt Brecht. Despite organized Nazi opposition, the play’s roster of criminals, prostitutes, and outcasts betraying each other under the pressures of the cruel modern world caught the spirit of the times. … she flourished at an age when most female performers of the era had little to look forward to but a steadily diminishing presence as younger actresses assumed the roles that were once theirs. 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What she had then, and what is evident even in recordings made in her seventies, was truth, an ability to convincingly sings stories of life as it is truly lived in a manner artful but unpolished that said, these are people, these are the terrible things they do, you’re an idiot if you believe they don’t, but that’s okay, we’re all idiots really, so let’s do something we’ll regret and if we die tomorrow, ground into nothingness by a society that has forgotten us, at least we’ll have squeezed a little bit of living out of today. Weill wrote many successful musicals after ending his collaboration, and Lenya had several major roles in non Brecht-Weill productions, but it was the magic combination of Brecht’s archly ironic but somehow simultaneously earnest words, Weill’s sense of melody and orchestration, and Lenya’s gift for infusing roles with bitter verisimilitude that spawned a series of musical productions that defined an era. [17] She went to Zürich to study in 1914, taking her first job at the Schauspielhaus, using the stage name Lotte Lenja. https://rateyourmusic.com/release/album/lotte_lenya/lotte_lenya_singt_kurt_weill So, she and a friend put together a two-woman dance show and headed for Berlin in 1921, where an entirely new ethos reigned, one less intellectual than that of the Zurich crowd, an earthy and bawdy mix of sexual, social, and political experimentation with its origin in the economic devastation left in the wake of the Treaty of Versailles. Heyo! Her voice had deepened with age. Lenya plays the Gypsy in the drama based on Tennessee Williams's one-act play. But in the midst of all that personal grief, she managed to string together a parade of autumnal successes across multiple media platforms, from her thousand plus performances in the stage production of Cabaret in the late 1960s to her role as Rosa Klebb in the 1963 James Bond film From Russia with Love to a series of concert recitals of the music of Kurt Weill at America’s most prestigious classical venues to a truly strange five minute comedic scene with Burt Reynolds in 1977’s Semi-Tough. Editor George Davis 20 November 1966 Cabaret Opens at the Broadhurst Theatre in New York until in... Favorite singer, Lotte Lenya singt Kurt Weill, however, was the catalyst for achievement! ] Kander and Ebb 's score was considered by some to be inspired Weill... On AllMusic AllMusic ) for free, and Skeptical Inquirer Lenya originated the role ( solo 6! 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