6 2 0.0/10 2 - 8 Despairing of ever finding her, he ultimately surrenders to melancholy and wills his own death. They offer in one convenient volume most of the excerpts that are asked for on orchestral auditions. 6 This moment is interrupted by dissonant horns, which counter with a heroic and self-assured theme. The work subsequently moves abruptly into a quiet melancholy which Strauss uses to illustrate the coming tragedy of Don Juan's fate. 6 (-) - V/V/20 - 4736×⇩ - Perlnerd666, Bassoon 1, 2, 3 And we’re back! 4 8 0.0/10 *#52190 - 3.63MB, 7, 6, 6 pp. 2 (-) - V/V/20 - 2268×⇩ - Perlnerd666, Trumpet 1, 2, 3 (in D) 86 by Richard Strauss INSTRUMENTATION: Horn and Orchestra PUBLISHER: 1942, 1950 by Hawkes & Sons (London) Ltd., currently Boosey & Hawkes COST: ~$34.00 LENGTH: Movement 1: Allegro — 205 measures, approx. *#52201 - 1.66MB, 8 pp. 10 [2], The premiere of Don Juan took place on 11 November 1889 in Weimar, where Strauss, then twenty-five, served as Court Kapellmeister; he conducted the orchestra of the Weimar Opera. 8 28 10 6 6 (-) - !N/!N/20 - 3055×⇩ - MP3 - Cypressdome, Complete Score 8 (-) - V/V/20 - 1548×⇩ - Perlnerd666, Complete Score 2 (-) - V/V/20 - 176×⇩ - Morel, Complete Score Although there are piano reductions on the site for many of Strauss's tone poems, I would be interested in seeing the FULL SCORES of the following works (unless any are still copyright protected): Don Juan, Op.20 Tod und Verklärung (Death and Transfiguration), Op. 4 *#52205 - 1.17MB, 8 pp. 1889 First Perf ormance. (-) - V/V/20 - 21710×⇩ - Daphnis, PDF scanned by Unknown (-) - V/V/20 - 1300×⇩ - Perlnerd666, Violins I 0.0/10 - 0.0/10 - [4] The last time he conducted the work was in 1947 with the BBC Symphony Orchestra during his last tour outside of Germany. (-) - V/V/20 - 3114×⇩ - Perlnerd666, Violins II 10 Background. Richard Strauss displayed a unique mastery of this genre, acquiring international acclaim during the late 1880s with works like Don Juan and Also sprach Zarathustra. 6 Richard Strauss, Don Juan, Tod und Verklärung, Ein Heldenleben, Royal Concertgebouw Orchestra, Willem Mengelberg Richard Strauss - Willem Mengelberg, 1940, 1941, 1954 Qui riuniti (in ordine cronologico di composizione musicale) i seguenti tre video: Strauss began work on the piece while staying in a Bavarian mountain resort in July 1898. - 6 - Generoso (2009/2/7), Piccolo 6 Relate Search of (Also Sprach Zarathustra / Don Juan / Eulenspiegels) Also sprach Zarathustra (Strauss) – Wikipedia, the free … Also sprach Zarathustra, Op. - 2 2 0.0/10 10 Complete Performance 6 IRS 17 Year/Date of Composition Y/D of Comp. 6 Strauss then weaves themes together in a repeated and intermingled orchestration. 0.0/10 10 Don Juan, Op. 0.0/10 *#52192 - 4.33MB, 8, 8, 6 pp. 6 0.0/10 [3] The New Grove Dictionary of Music and Musicians states that "The aesthetics of Wagner and Liszt may have inspired him to embrace the extra-musical, but he refused to carry their torch for music as a sacred entity; the libertine Don (and Strauss with him) simply thumbs his nose at the world. Strauss’ Don Juan, with Andrés Cárdenes. Tod und Verklärung, Op.24, by Richard Strauss Till Eulenspiegels lustige Streiche , Op.28, by Richard Strauss Also sprach Zarathustra , Op.30, by Richard Strauss Rare footage of Ilya Musin conducting Don Juan by Richard Strauss with the Sofia Symphonic Orchestra in 1993. 4 Richard Strauss 1864-1946Don Juan op.20Mariss JansonsSymphonieorchester des Bayerischen Rundfunks (-) - V/V/20 - 2531×⇩ - Perlnerd666, Trombone 1, 2, 3, Tuba 6 [3], As the beginning of the piece, Strauss uses a theme that is vigorous and spirited with the brass section making striking interjections. - 10 10 0.0/10 "[3], Performances of the work last around eighteen minutes. *#52202 - 2.42MB, 14 pp. [1] Excerpts from Don Juan are staples of professional orchestral auditions due to the numerous technical and musical demands on each instrument.[5]. [3] Strauss often conducted the work in concerts during his long career, and the piece was part of the first recordings that he made in 1917. 2 6 *#52197 - 2.79MB, 5 ea pp. - 2 Don Juan Alt ernative. 1889-11-11 in Weimar Court Orchestra, Richard Strauss (conductor) First Pub lication. (-) - V/V/20 - 817×⇩ - Morel, Color cover - In Lenau's rendering, Don Juan's promiscuity springs from his determination to find the ideal woman. Viola Etudes Honors Performance Series Etude 1 of 2 Strauss Don Juan op 20 http://imslp.org/wiki/Don_Juan,_Op.20_(Strauss,_Richard) 4 6 *#52196 - 1.63MB, 4, 4 pp. 4 *#52191 - 4.40MB, 8, 7, 7 pp. 10 *#52203 - 1.86MB, 11 pp. 0.0/10 4 The work is based on Don Juans Ende, a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after the Don Juan legend which originated in Renaissance-era Spain. 2 - 10 piccolo, 2 flutes, 2 oboes, english horn, 2 clarinets (2nd also E ♭), bass clarinet, 3 bassoons, contrabassoon 6 horns, 3 trumpets, 3 trombones, tenor tuba (euphonium), tuba 10 *#52199 - 3.02MB, 4 ea pp. 6 No. [3][4] The work, composed when Strauss was only twenty-four years old, became an international success and established his reputation as an important exponent of modernism. 2 (-) - V/V/30 - 1993×⇩ - YuriyLcello, PDF scanned by YuriyLcello (-) - C/V/20 - 2493×⇩ - Daphnis, PDF scanned by Unknown 8 4 20; TrV 156, Type: Symphonic poem, Lyrics Languages: [No lyrics], Writers: Richard Strauss, ISWCs: T-801.916.776-2 4 47 Sibelius Score: M1012 .S56 op. SECOND CONCERTO FOR HORN AND ORCHESTRA, Op. • Switch back to classic skin, Creative Commons Attribution-NonCommercial 3.0, Till Eulenspiegels lustige Streiche, Op.28, http://imslp.org/index.php?title=Don_Quixote,_Op.35_(Strauss,_Richard)&oldid=2878176, Works first published in the 19th century, Pages with commercial recordings (Naxos collection), Pages with commercial recordings (BnF collection), Creative Commons Attribution-ShareAlike 4.0 License, Phantastische Variationen über ein Thema ritterlichen Charakters, cello (with viola and tenor tuba) and orchestra, solo viola and tenor tuba from orchestra, viola tunes (scordatura) the C string down to B. Daphnis (2008/7/26), Content is available under the Creative Commons Attribution-ShareAlike 4.0 License op. - 2 8m30s Movement 2: Andante con moto — 72 measures, approx. Created Date: 7/13/2008 5:52:23 PM *#52204 - 2.77MB, 14 pp. In Lenau's rendering, Don Juan's promiscuity springs from his determination to find the ideal woman. [3], Although Don Juan was an undeniable triumph for Strauss, the work was not without its critics. *#52200 - 1.86MB, 4, 3, 3 pp. *#150717 - 0.15MB, 1 pp. The piece paints this picture with hushed tones like a dying breath. Don Juan - Richard Strauss For the second Assignment I hand the task to write an essay about the historical background and musical features of Richard Strauss' Don Juan The composer of this piece, Richard Strauss, was born in Munich on the 11th of June 1864. [3] Musicologist Bryan Gilliam and Charles Youmans, described the work as containing "dazzling orchestration, sharply etched themes, novel structure and taut pacing" and being characterized by "flagrantly pictorial, humorous and altogether irreverent" music. - 8 (-) - V/V/20 - 1657×⇩ - Perlnerd666, Violas (Solo/Tutti) Don Juan, tired of running, resigns himself willingly in a duel and his life is taken by a sword wielded by his lover's father who is avenging his daughter's honor. 6 10 Daphnis (2008/7/13), Solo Cello part He … 0.0/10 8 - (-) - V/V/20 - 1373×⇩ - Perlnerd666, PDF scanned by Unknown *#01683 - 1.32MB, 28 pp. 0.0/10 (-) - V/V/20 - 4284×⇩ - Perlnerd666, Horn 5, 6 (F) [1] It is singled out by Carl Dahlhaus as a "musical symbol of fin-de-siècle modernism", particularly for the "breakaway mood" of its opening bars. 0.0/10 8 *#27864 - 6.58MB, 23 pp. The work is based on Don Juans Ende, a play derived from an unfinished 1844 retelling of the tale by poet Nikolaus Lenau after the Don Juan legend which originated in Renaissance-era Spain. Aibl Verlag, 1890. *#52195 - 2.39MB, 6, 6 pp. 20 Strauss Score (Variations) Strauss Score (IMSLP) Strauss Recording Jean Sibelius: Violin Concerto in d minor, Op. 0.0/10 0.0/10 10 4 8 [1] Strauss reprinted three excerpts from the play in his score. - - (-) - V/V/20 - 1754×⇩ - Perlnerd666, Harp 2 1890 Dedication Ludwig Thuille (1861-1907) (-) - V/V/20 - 2663×⇩ - Perlnerd666, Contrabassoon Don Juan Alt ernative. Did that just happen?! 2 2 YuriyLcello (2012/12/18), Complete Score 0.0/10 4 Don Juan, Op. 8 8 2 6 31 (1761 Manuscript) 16 (1790 Manuscript) Year/Date of Composition Y/D of Comp. Richard Strauss wrote his tone poem for large orchestra Don Juan in 1888, and it premiered the following year, representing a breakthrough for the composer, who was only twenty four years old when he wrote it.He based his work on a retelling of the Don Juan legend by pote Nikolaus Lenau. *#52189 - 2.95MB, 7, 7 pp. Op.20 ; TrV 156 I-Catalogue Number I-Cat. 4 - No. 2 4 2 Title Le festin de Pierre; Il convitato di Pietra Composer Gluck, Christoph Willibald: Opus/Catalogue Number Op./Cat. - 10 10 *#291847 - 55.92MB - 44:45 - The oboe is then heard playing a soothing melody that indicates a liaison between Don Juan and his lover. 4 10 8 4 Strauss's Don Juan Horns solo Second CallHorns: 1. Title Composer Strauss, Richard: Opus/Catalogue Number Op./Cat. 10 2 10 8 8 4 4 [1] Strauss achieves this by a sophisticated merging of both rondo and sonata form principles. 4 2 0.0/10 0.0/10 10 Keywords: Munich: Jos. 2 *#28006 - 3.70MB, 11 pp. 6 Wq.52 ; WotG 2A.2 I-Catalogue Number I-Cat. 2 2 8 2 10 8 (-) - V/V/20 - 2388×⇩ - Perlnerd666, Timpani, Cymbals/Triangle,Bass Drum/Small Drum/Tambourine/Bells/Wind Machine 2 - Plate R.2640. 0.0/10 One of the earliest tone poems by Strauss, Don Juan tells of the legendary Spanish libertine Don Juan, who by then already … #firebird. Franz Sollner 2. 8 (-) - V/V/20 - 1135×⇩ - Perlnerd666, Horn 1, 2 (F) 10 These are some of my best f. Can’t even wait till all my friends get here! [1] The music unfurls naturally as the plot divulges itself. - (-) - V/V/20 - 9727×⇩ - Generoso, PDF scanned by Unknown Orchestral excerpt books, by their very nature, are an exercise in compromise. 6 0.0/10 6 10 20, tone poem for orchestra by German composer Richard Strauss, first performed in Weimar on November 11, 1889. *#52198 - 0.79MB, 4 pp. He proposed to write a heroic work in the mould of Beethoven's Eroica Symphony: "It is entitled 'A Hero's Life', and while it has no funeral march, it does have lots of horns, horns being quite the thing to express heroism. 10 10 0.0/10 No. perservicepodcast. Share your #GigOfTheWeek: Follow @PerServicePodcast on Instagram. (-) - V/V/20 - 2058×⇩ - Perlnerd666, Clarinet 1, 2 (B♭, 2nd also E♭), Bass Clarinet (B♭) 8 Today on the podcast we sit down. 0.0/10 30 (Thus Spoke Zarathustra or Thus Spake Zarathustra) is a tone poem by Richard Strauss, composed in 1896 and inspired by Friedrich … 8 47 B8 (miniature score) Sibelius Score (IMSLP) Sibelius Recording Chamber Orchestra Spring 2015 - 10 8 8 Fire! 10 10 *#52193 - 0.90MB, 5 pp. (-) - V/V/20 - 847×⇩ - Peter, Complete Score 0.0/10 *#262429 - 7.94MB, 50 pp. - 20, is a tone poem in E major for large orchestra written by the German composer Richard Strauss in 1888. Franz Wüllner conducted the first performance on March 8, 1898, with the Gürzenich Orchestra of Cologne. [4], The New Grove Dictionary of Music and Musicians, Berlin Philharmonic Orchestra conducted by Claudio Abbado, 1992, Sony CD and Kultur DVD, "Strauss: Also Sprach Zarathustra; Don Juan; Till Eulenspiegel review – a showcase for CBSO's superb playing", International Music Score Library Project, Dance suite from keyboard pieces by François Couperin, Divertimento for chamber orchestra after keyboard pieces by Couperin, The Trickster of Seville and the Stone Guest, A Sunday Afternoon on the Island of La Grande Jatte, https://en.wikipedia.org/w/index.php?title=Don_Juan_(Strauss)&oldid=1004083067, Pages containing links to subscription-only content, Articles with International Music Score Library Project links, Wikipedia articles with MusicBrainz work identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 1 February 2021, at 00:25. *#52194 - 2.74MB, 8, 8 pp. Reprint - Mineola, NY: Dover Publications, 1979. - 4 8 8 (-) - V/V/20 - 2743×⇩ - Perlnerd666, Basses 6 0.0/10 4 Wolfgang Tomböck Assist. Despairing of ever finding her, he ultimately surr… Strauss reprinted three excerpts from the play in his score. 20, is a tone poem in E major for large orchestra written by the German composer Richard Strauss in 1888. 4 - The piece ends wistfully, and not grandly, in keeping with Lenau's telling of the Don Juan tale. 6 2 2 ICG 14 Key D major Movements/Sections Mov'ts/Sec's: see below. *#150716 - 4.04MB, 68 pp. Richard Strauss: Don Juan, Op. 4 6 *#52188 - 0.89MB, 4 pp. 10 - He moves away from this theme soon after to a solo violin playing a romance. (-) - V/V/20 - 4597×⇩ - Perlnerd666, Tenor Tuba (Euphonium, B♭) 24 Till Eulenspiegels lustige Streiche (Till Eulenspiegel's Merry Pranks), Op. 8 (-) - V/V/20 - 6193×⇩ - Perlnerd666, Horn 3, 4 (F) 5m15s Movement 3: Rondo — 337 measures,… 2 No. 0.0/10 Cosima Wagner, who was normally a supporter of Strauss and his music, despised the work because of its subject matter which did not rise to the metaphysical ideals of Wagner. 6 - 8 Strauss wrote these "Fantastic Variations on a Theme of Knightly Character" in 1897. Recorded in Siena during the conducting masterclasses at the Accademia Chigiana. 0.0/10 4 Perlnerd666 (2010/1/7), ⇒ 18 more: Flute 1, 2 • Oboe 1, 2, English Horn • Clarinet 1, 2 (B♭, 2nd also E♭), Bass Clarinet (B♭) • Bassoon 1, 2, 3 • Contrabassoon • Horn 1, 2 (F) • Horn 3, 4 (F) • Horn 5, 6 (F) • Trumpet 1, 2, 3 (in D) • Tenor Tuba (Euphonium, B♭) • Trombone 1, 2, 3, Tuba • Timpani, Cymbals/Triangle, / Bass Drum/Small Drum/Tambourine/Bells/Wind Machine • Harp • Violins I • Violins II • Violas (Solo/Tutti) • Cellos (Tutti) • Basses, Flute 1, 2 Don Juan, Op. 4 6 4 (-) - V/V/20 - 7740×⇩ - Perlnerd666, Cellos (Tutti) The structure of Don Juan mirrors the dramatic arc of the poem Don Juans Ende by Nikolaus Lenau. 6 8 8 *#18787 - 6.93MB, 92 pp. *#19607 - 2.72MB, 41 pp. 4 Don Juan is scored for an orchestra with the following instruments: An orchestral score and a score for piano four hands was published by J. 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